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  • e  9 Do novelists get more for successful adaptations?

    When a novel is adapted into a film or television series, how does compensation to the writer of the original novel work?

  • e  55 Writing from theme

    “Theme” is a word screenwriters use without defining it clearly, but here’s a good way to think about it.

  • e  52 How I Became a Famous Novelist

    Steve Hely’s book is fast, funny, and will likely become the next movie I write and direct

  • e  23 Selling novel rights

    Steps a publisher can take to offer up properties to moviemakers.

  • e  5 Glossary

    ACT A collection of scenes forming one of the main sections of a script. In stage plays and teleplays, acts are explicitly indicated in the script (e.g. "End of Act One"); in features, they are not. One-hour TV dramas are usually broken into four acts, plus a teaser, coinciding with commercial breaks. Half-hour sitcoms fall into [...]

  • e  1 Setting up a project without having the underlying book rights

    If there’s a book you can’t afford to option yourself, it’s worth trying to get someone to option it for you.

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This site is run by screenwriter John August. Mostly, he answers reader-submitted questions about the craft, but occasionally he goes on tangents that run far afield of writing and filmmaking. You'll also find info on past, present and future projects.


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